MAKEUP: Pat McGrath (not pictured) for CoverGirl and MAX Factor BEAUTY SNAPSHOT: McGrath created a Gigi-inspired, "beautifully eccentric" look for the Anna Sui show, with thick black liner, rosy cheeks, shimmer, and luscious lips. Here's how to put it all together:
THE SCOOP: After prepping the skin with the usual basics, put on lots of black liner all around the eyes; use it on the inside edges of your lower and upper lashes, and smudge it outward. McGrath opted against mascara to keep the look "dreamy," and not too harsh. Use a subtle, shimmery eyeshadow, and also dab shimmer under the brow. Swirl a rosy creme blush onto the apples of the cheeks and blend toward the hairline just under the cheekbone. Then add shimmer to the cheekbones, too. Lastly, use a long-lasting stain on the lips, but hit it with gloss just before you go out!
GET THE LOOK: Use CoverGirl Lipstain, MAXeye Liner, and CoverGirl Wetslicks Lipgloss in Clear Radiance. Backstage at Anna Sui
(click thumbnails to view gallery)
Posted in: UGG.
Fall 2009 Fashion Week: Backstage Beauty at Marc Jacobs
|
SHOW: Marc Jacobs MAKEUP: François Nars, Founder and Creative Director of NARS Cosmetics BEAUTY SNAPSHOT: Nightclubbing, circa 1984
THE SCOOP: After a 10 year hiatus, NARS creator François Nars made a triumphant return to mastermind the makeup at Marc Jacob's Fall 2009 Fashion Show. And what a show it was. Far and away the most colorful show so far this season, the makeup played off the broad shoulders and neon hues in Marc Jacob's 80's nightclub inspired collection with bold, bright makeup that channeled everything 80's, from The Palmer Girls to Girls Just Want Have Fun-era Cyndi Lauper to the cover of Duran Duran's Rio album. It was no easy undertaking: Sixty-five different models walked on the MJ runway (the usual is around 20!), and François Nars created custom looks for each girl, considering each model's individual beauty before creating and edgy look that conjured up the 80's in a modern way. "We are doing quite an eclectic look," he said. The inspiration for diversity came from Nars' book XRAY. "[Marc] wanted to keep that feeling," said Nars, "the variety of looks, the same way we do the campaigns for NARS." Like many of the other shows this week, the underlying message was optimism - using fashion and beauty to have fun despite the economy. And unlike a Marc Jacobs mesh bodysuit, a red NARS lipstick is a whimsy we can actually afford.
GET THE LOOK: Strong eyes and bold color were a major theme, while skin was contoured and theatrical. Black shadow laid the foundation for creating the dramatic eye, to which the artists added a rainbows of Nars Eye Shadows in cobalt blues, deep greens, bright purples, reds, fuchsias, and glitter. "There is a wide variety of color," said Nars, "it's whatever looks good on the girl." For many of the models, porcelain skin was a key component, allowing the black eyes and bright colors to pop. "You want to play with makeup," says Nars, "makeup is a great accessory - that is the message."
|
Posted in: UGG.
Fall 2009 Fashion Week: Backstage Beauty at Max Azria
|
SHOW: Max Azria MAKEUP: Gucci Westman for Revlon HAIR: Laurent Philippon for Bumble and Bumble BEAUTY SNAPSHOT: Gothic romantic warrior
THE SCOOP: "This season feels fresh, confident and optimistic," said Westman. "People are conscious and aware that everything will be OK, but at the same time you don't want anything that's too opulent. I'd feel odd doing a look that's extra rich and polished at the moment." Max Azria's collection featured very detailed clothing with lots of black, and Westman created a certain hardness in the girls, to look appropriate in the clothing. Eyes were the focal point with lots of black kohl, with gloss on top of the lids for shine. Skin shimmered with highlighter, and lips were nude but healthy with a dab of balm. The hair looked gorgeous in a tousled, twisted bun. "I wanted the hair to look tight but nothing too slick and finished," said hair stylist Laurent Philippon. "I wanted it to look very organic."
GET THE LOOK - MAKEUP: Revlon Matte Eye Shadow in Vintage Lace, Revlon Colorstay Eye Shadow Quad in Sultry Smoke and Sterling Rose, Revlon Matte Lux Color Kohl Eyeliner in Black Truffle, Revlon 3D Extreme Mascara in Blackest Black.
GET THE LOOK - HAIR: Philippon spritzed hair with Bumble and Bumble Prep, before sectioning hair into about five different braids and blowing them dry with a hairdryer. This tactic gave the hair amazing wave and texture. Philippon removed the braids, ran Bumble and Bumble Styling Wax through the hair and separated the top section into a twist. He wound the bottom section into a bun, to which he joined the twisted top section, fastening them together with bobby pins.
|
Posted in: Shoe.
Fall 2009 Fashion Week - Backstage at Lela Rose
|
SHOW: Lela Rose
MAKEUP: Tina Turnbow for Beauty.com & Stila
HAIR: Ted Gibson for Beauty.com
NAILS: Nonie Creme for Beauty.com & Butter London
BEAUTY SHAPSHOT: Mother Nature's DaughterTHE SCOOP: Beauty at Lela Rose's Fall 2009 show was intense and insect-inspired. Makeup artist Tina Turnbow created a smoky, dewy eye in shades of rich emerald and gold, meant to emulate a beetle's iridescent shell. An ultra-sheer wash of antique gold on nails added to the overall lost-in-the-rainforest sheen. Following the theme, stylist Ted Gibson created long, tousled ponytails with a slight pouf at the crown, referencing the horned back of a beetle. Gibson said the creative collaboration between the designer and beauty team was "fantastic."
"A lot of people are copying this or copying that, but Lela's not like that at all, so it's great to have that process with her."
GET THE LOOK - MAKEUP: Stila Sheer Color-Tinted Moisturizer, SPF 15; Stila Princess Pearl Palette in Gold & Green; Kajal's in emerald & pearl; Stila Kajal Eyeliner in Emerald & Pearl; Stila Jade smudgepot; Stila Praline Glaze for lips; Stila Constellation and Venus shadows.
GET THE LOOK - HAIR: Ted Gibson Build It Blow Drying Agent, Ted Gibson Beautiful Hold Hairspray.
|
Posted in: Boots.
FALL 2009 FASHION WEEK - A Minute With: Model Jess Stam at the Catherine Holstein Show
|
By Annie Georgia Greenberg for Refinery 29
What is your fashion history with Catherine Holstein? Cate ... err ... sorry!Catherine and I are the oldest friends! I love to shop with her because she has a phenomenal sense of style, and it really comes through in this collection.If you designed a clothing line how close to Catherine's would it be? It would definitely not be as cool or as fashionable.
Which of the newest pieces are are we most likely to see you wearing?Well, I'm actually wearing one of her shirts right now, not sure if it's new but other than that I love the low cut, black crushed velvet dress.
Jess Stam on Refinery 29
|
Posted in: Shoe.
Fall 2009 Fashion Week - Backstage at Richie Rich
|
SHOW: Richie RichMAKEUP: Kabuki for M.A.CHAIR: Jeanie Syfu for TRESemmeBEAUTY SNAPSHOT: Marylin Monroe meets Edie Sedgwick
THE SCOOP:The season marked the return of a Richie Rich designed collection to NY Fashion Week, but the fashion darling was not back as one half of Heatherette. He was instead presenting a solo collection. While the clothes were noticeably more wearable than his Heatherette fantasy pieces, the hair and makeup stayed true to his previous label's sense of fun. As hairstylist Jeanie Sayfu explained "the inspiration was about Marylin Monroe and Marie Antoinette and how they became more refined as they got older. The show is going to be telling the story of a cool punk rock chick growing up and become a polished woman." For the punk side Sayfu created a cornrow-sided faux mohawk and for the refined women a full-bodied curl set. To recreate the curled look on your own Sayfu says "Teasing is a really cool technique to add volume to any curl set. For a less dramatic result, don't tease it all the way to the end, but tease it at the root before you set the curl. The heat actually activates the tease so you get this really pretty full set of curls as you brush it out."
The makeup team took their inspiration from the imagined meeting of two beauty icons, Marylin Monroe and Edie Sedgwick. The result is a look that's big and bold but also playful "almost like the two of them did each other's makeup" explained the M.A.C lead artist. To take the look off the runway the M.A.C team suggests you "only line the bottom of the eye and then do a strong brow. Anyone with that hard pulled down smoky eye automatically has a bit of attitude in their look. To get a smoky bottom eye use a soft eyeliner and then a fine brush to smudge it and smoke it out."
GET THE LOOK MAKEUP: M.A.C Studio Sculpt Foundation, Dazzleglass, Powerpoint Eye Pencil in Industry, Fluidline in Blacktrack, Eyeshadow in White Frost, Mineralize Blush in Love Thing, Plush Lash Mascara in Black
GET THE LOOK HAIR: TRESemme 24 Hour Root Boost, 24 Body Finishing Spray
|
Posted in: Shoe.
|
At last night’s American Latin Music Awards, Eva Longoria kept the audience entertained with multiple dress changes–something the star is known for.
However, we didn’t expect that Longoria would wear three one-shoulder dresses, nor did we expect that two would be from the same designer–Gustavo Cadile.
Cadile provided a green tafetta number, as well as a custom pink tulle gown.
While poufy dresses can be prom-like in real life, Longoria can really do no wrong.
The actress–and former fitness instructor–maintains an incredible bod. She’s even presented awards in the past wearing a bathing suit on live televison.
Nothing but love, Eva!
|
Eva Longoria, Quick Change Artist
Longoria has a fleet of gowns at the ready. Photo: Kevork Djansezian, Getty Images | Robert Benson, Getty Images
Posted in: clothing.
| |